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Shaky standards?

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How Accurate Are State and National
Gradings of Student Writing?

By Jim Trelease © 2005, 2007

ith local, state, federal, and national tests now incorporating essay writing into the testing rubric, the evaluation process is coming under expanded scrutiny. Who is going to do the millions of evaluations (trained high school teachers), how much time will they have to evaluate (1-2 minutes each), and what criteria will be used (a rigid formula)?

Two excellent online articles offer enlightening (and eye-opening) answers to those questions and I offer brief excerpts here, with links to the actual articles. By these experts' evaluations, most state and national tests for good writers or writing are going to be less accurate than your local weather forecaster.

First, in the March, 2003 issue of The Atlantic Monthly under the title "Would Shakespeare Get Into Swarthmore?" three executives with The Princeton Review, the nation's premier test-prep company, give the background for the change (California threatened to drop the SAT unless an essay question was included) and offer this hypothetical essay assignment:

Directions: Consider carefully the following quotation and the assignment below it. Then plan and write an essay that explains your ideas as persuasively as possible. Keep in mind that the support you provide—both reasons and examples—will help make your view convincing to the reader.

"Writing is the most demanding of callings, more harrowing than a warrior's, more lonely than a whaling captain's—that, in essence, is the modern writer's message." — Melvin Maddocks

Assignment: In an essay, discuss your opinion of the quotation above. Support your view with one or more examples from literature, the arts, science, politics, current events, or your personal experience or observations.

 

The Atlantic authors then offered as responses the work of famous writers (Hemingway, Shakespeare, Gertrude Stein, and Theodore Kaczynski, the Unabomber). Each was evaluated by SAT standards and given a grade. The Unabomber had the highest score, by far. A five-minute NPR interview with one of the article's authors can be heard (with RealAudio) at: Grading Hemingway the SAT Way.

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uch like the Atlantic authors, Edgar H. Schuster knows the writing world from as many different perspectives as one could hope for: former high school English teacher; college English teacher, K-12 English supervisor, and textbook author. His take on state and national writing tests is one that deserves immediate attention. It will be especially cogent for those educators who have been teaching the writing process for the last dozen years and expect the tests to vindicate the practice. They're in for a huge disappointment, says Schuster.

In an article entitled "National and State Writing Tests: The Writing Process Betrayed," in the January 2004 issue of Phi Delta Kappan, Schuster lists the principal steps embedded in the writing process as used in most school districts:

    1. Planning;
    2. Drafting;
    3. Conferencing;
    4. Revising;
    5. Editing and Proofreading;
    6. Publishing.

Of all those criteria for successful writing, Schuster reports only Drafting is tested for on state and national essay tests. He then describes how such tests fail to deal with one of those stages: Planning or Prewriting:

Oregon, which along with Kentucky is one of the most writing process-friendly states in the nation, has three 50-minute sittings spread over three days for one prompt [essay assignment] and gives the students even more time if they need it. However, it recently had to eliminate its writing tests in three of the four grades tested. Kansas, another progressive state, allows four days, one hour per session per day, for a single prompt. These states are unusual. As for national tests, the College Board's achievement test in writing allows 20 minutes to complete the test, five minutes less than the NAEP.

 

Schuster then takes a hypothetical essay assignment and considers its complexity and how much time a student would have to address it:

Appreciation of music, paintings, books, and movies doesn't make us into better people. In fact, it may actually worsen us, diminishing our ability to respond to actual situations and making it more difficult to identify with the real world. As one scholar said, "The voice in the poem may come to sound louder, more urgent, more real than the voice in the street outside."

You are to discuss and support your opinion, using examples from literature, the arts, science and technology, current events, or your own experience or observation.

The literary critic Wayne Booth faced this very issue and presumably did a great deal of prewriting. He discovered that it is an extremely complex question, but he worked through the writing process to its end and produced The Company We Keep: An Ethics of Fiction.2 It is over 500 pages long. When we give students topics like this with a limited time to complete the assignment, is it any wonder they can't write proficiently? They are doomed to superficiality.

Yet this was the sample topic for the new SAT essay examination on the College Board's web site. No wonder the College Board had difficulty deciding how much time to give students to complete the writing test. (The new optional ACT test will allow 30 minutes.)

 

Schuster's conclusion is that the writing tests evaluate only one part of the writing process — Drafting. He then offers this concluding thought:

   If scores on NAEP writing tests have not improved over the decades, is it possible that it's because the tests are measuring drafting only and not writing? Let's start a truth-in-labeling campaign. If your state's writing tests betray everything you believe about the writing process, lobby to have the department of education change their name to state drafting tests. It would be one step in the direction of getting real about state standards.

 

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