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by Jim Trelease
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• Chapter 3 excerpts •
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READ-ALOUD HANDBOOK

Excerpted from Chapter Three of The Read-Aloud Handbook by Jim Trelease (Penguin, 2006, 6th edition). For a list of all topics covered here and in the print edition see Chapter Three question list.

ISSUES ADDRESSED HERE FROM THIS CHAPTER (3)

PAGE ONE :

PAGE TWO:

PAGE THREE:

 

Chapter 3: The stages of read-aloud—continued

How can illiterate or semiliterate parents read to their children?

Fifty years ago, this would have been an insurmountable problem, but not now. One kind of book and a piece of technology help to save the day. The books are wordless and predictable books (or easy readers) and the technology is the tape deck or CD player.

Thirty thousand years ago, in a step toward writing, our ancestors used cave drawings to tell stories without words—and wordless books follow that tradition. These books convey a story without using words; pictures (interpreted orally by the reader) tell the whole story—books in pantomime, if you will. The parent who can’t read (or can’t read English) has little difficulty in looking at the pictures and talking the book to the child.8 The popularity of this genre has increased in recent years, and there are now dozens of wordless books in print, from the simple (like Deep in the Forest by Brinton Turkle) to the complex (The Silver Pony by Lynd Ward, or Tuesday by David Wiesner). Ask your librarian for the wordless books in the library's collection.

child's picture book with audio cassette

Forty years ago, a person had to be blind to obtain a book on tape in America. Now thousands of titles are available for parents or anyone wishing to listen, learn, and enjoy a good book, all for free at the public library. Illiterate or semiliterate parents can listen to these recorded books along with the child, and hearing them often enough, will begin to memorize them. The illiterate parent and child can sit together and listen to a book, even follow along on the page. They’re sharing time and a common story. Is someone else’s voice better than the parent’s? No, but it’s a whole lot better than no story at all. Taking the time to listen beside the child—instead of watching TV or talking on the phone—sends a message to the child about the importance the parent places on books. For parents or teachers of older children, see Audio Books for a discussion of children’s books on audiocassette.

Could you read chapter books at preschool level?

In 1999, my daughter came home for Thanksgiving with a letter she had received from my grandson Connor’s preschool teacher at Battery Park City Day Nursery in New York City. “You’re going to love this!” she exclaimed as she handed it to me. I’ve shared it with almost every teacher and parent audience I’ve had since then. The teacher was a talented young woman with fourteen years’ experience working with four- and five-year-olds, and here’s what she wrote:

 

Dear Parents:

Ordinarily, I do not go out of my way to recommend movies to my students’ parents, however, there is a movie coming out which could help to extend your child’s learning. On December 19th, the movie Stuart Little will be opening. It just so happens that we have just finished reading the book by E. B. White, which the movie is based on.

Throughout the year we will be selecting a few chapter books to read to the children who stay for nap time. Year after year, Stuart Little is always my first selection because each chapter of the book is short enough to be read in one sitting and, most especially, I choose it because Stuart is a character that can easily capture the imagination of a young child. You see, Stuart is a young boy who just happens to look like a mouse! Because of his diminutive stature Stuart gets into all kinds of wild and crazy adventures.

Reading chapter books such as Stuart Little helps to build a child’s visualization skills and helps them to appreciate stories that are told over more than one sitting. By taking your child to the movie, you may be able to initiate a conversation about the similarities and differences between the chapter book and the movie version, as well as the similarities and differences between watching a movie and reading a story. Your child might also enjoy rereading the book with you at home. If you haven’t ever read a chapter book to your child, Stuart Little might be just the right book for you to get started with.

—Happy Reading (& movie-viewing),
Karleen Waldman

 

 

Karleen Waldman's class photoKarleen Waldman's class photoKarleen Waldman's class photo

For anyone unfamiliar with Stuart Little, it’s a charming 130-page novel by the same person who wrote the classic Charlotte’s Web. Karleen Waldman understood that children are ready for chapter books long before most people think they are. Our continued exclusive reliance on four-minute picture books is an insult to their growing minds and attention spans. No, Ms. Waldman didn’t begin the year with a novel, nor did she abandon picture books for chapters. She began with picture books and built the children’s attention spans (see class photo, right). By the end of the year, these same children had also heard Cricket in Times Square by George Selden, and Mr. Popper’s Penguins by Florence and Richard Atwater. I’m not suggesting we abandon picture books. Instead, add a few novel pages and then a daily chapter to the picture books you read to preschoolers.

What about reading aloud nonfiction?

Nonfiction will often read like a boring textbook unless there's a strong narrative to it. One of the publishing highlights of the last two decades has been the proliferation of outstanding picture books devoted to American history, many of which contain a strong story line. Here are some that make excellent read-alouds:

Excellent Nonfiction Picture Books
  • Saving the Liberty Bell by Megan McDonald
  • The Flag Maker by Susan Campbell Bartoletti
  • Mary Anning and the Sea Dragon by Jeannine Atkins
  • The Dinosaurs of Waterhouse Hawkins by Barbara Kerley
  • The Boy Who Drew Birds: The Story of John James Audubon by Jacqueline Davies
  • The Bobbin Girl by Emily Arnold McCully
  • Thank You, Sarah by Laurie Halse Anderson
  • The Last Princess: The Story of Princess Ka’iulani of Hawai’i by Fay Stanley
  • Alice Ramsey’s Grand Adventure by Don Brown
  • Rocks in His Head by Carol Otis Hurst
  • The Greatest Skating Race by Louise Borden
  • Henry's Freedom Box by Ellen Levine
  • When Esther Morris Headed West: Women, Wyoming, and the Right to Vote by Connie Nordhielm
  • Liberty Rising: The Story of the Statue of Liberty by Pegi Deitz Shea
  • You’re on Your Way, Teddy Roosevelt by Judith St. George
  • Odd Boy Out: Young Albert Einstein by Don Brown
  • Eleanor by Barbara Cooney
  • Baseball Saved Us by Ken Mochizuk
  • My Brother Martin by Christine King Farris
  • The Story of Ruby Bridges by Robert Coles
  • Harvesting Hope: The Story of Cesar Chavez by Kathleen Krull
  • Richard Wright and the Library Card by William Miller
  • Marvelous Mattie: How Margaret E. Knight Became an Inventor by Emily Arnold McCully

book cover of The American StoryYou might also consider adding to the above list an anthology of 100 stories about American history for fourth-graders and older: The American Story by Jennifer Armstrong (Knopf, 2006) which covers U.S. history from its first city (St. Augustine, 1565) to the controversial 2000 Presidential Election, told in 100 fast-paced narratives that seldom reach more than three pages in length. Roger Roth's hundreds of color illustrations make this a nonfiction gem.



 

Chapter Three — p. 1   p. 2   p. 3   Footnotes


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